剧情简介

  (👷)本片 荣(✒)获(huò )第四(📼)届深圳青年影(yǐng )像节纪(jì )录片(🕸)类 最佳创意奖(🎺) ,香(xiāng )港中(🥈)文(wén )(🐉)大学、 第二届中(zhōng )(🥩)国民(mín )族博(📿)物(wù )馆 永久(jiǔ )收藏奖(🏇) 。
 (🕔) (🔸)有(yǒu )意想观看的,可联系版权方微(wēi )信:1714371600
  《加(🐶)一》颠覆(fù )大众对(🔊)留(💞)守儿童的固(🧚)定(🚣)思(sī )维,以独特(tè )的视(😞)角呈现最真实的留守儿(🥎)童生活。
  加一(🌞)是一名(míng )(👓)留(liú )守儿(💪)童,父母(mǔ )常年(⛏)在(zài )外打工,每次短(🕙)暂的相聚(jù )都会牵动(dòng )加一幼小 的心灵:长途 跋涉(shè )和爷(💝)爷去看望在(zài )外(wài )打工的父母(mǔ ),离别时躺(tǎng )在(zài )(🌹)爸(bà )(⛏)爸腿上静静落(🌪)泪;春节过后妈妈(😝)提(tí )前出去打(🎥)工,没有(📧)说(🔍)再见是因为(🔤)偷(tōu )偷躲(📸)在被 窝里(💸)泣不(🐞)成声。然(rán )而父母离开(🔙)后(hòu )生活依(yī )然要继(jì )(💣)续,忍受过难尝的别离滋(zī )味(🕕)后,依然要(yào )忘掉烦恼,快(kuài )乐地和(hé )同学(xué )玩耍(✖),淘(táo )(💑)气地逗(dòu )哭(kū )弟弟(dì )(⛴)后又像大人一(yī )样哄着他。每天和弟弟徘徊在哭与笑之间,就(🏡)这样在(zài )痛与乐(🛌)中成长着。
  留守儿童并不(bú )是“苦(🐸)逼”的(de )(🏗)代名(😼)词,他(♟)们有他们(men )的(😻)快乐,有他们的(de )纯真(zhēn )(😙),他们也(yě )确(què )实要忍受不(bú )一样的孤独和无奈。大时代下的小人(🌮)物,他们的(🔚)生存状态是这个时代的特殊(🦀)印迹(jì )。
 (😕) The documentary, “JIAYI”, adopts a particular position from where it objectively and non-discriminatingly uncovers a real world of these left-behind kids in rural area in China, which overthrows the social stereotyping towards this special group existing in the remote and underdeveloped regions.
  JiaYi, one of these unattended children, cherished every single reunion with her parents who work as migrant labors: she would travel thousands of miles with her grandfather to visit them lying on her father’s leg and crying silently is her way of resisting saying goodbye Tears flooded her eyes so violently that she didn't says any words when her mother had to leave earlier than planned to start working during the spring festival. However, life goes on no matter they are ready or not. She struggles to survive in the suffering of separation while at the mean time, she must learn to forget this painfulness and pretend to live like a normal kid who enjoys her time in school with peers. She, like a mature adult, can make her younger brother cry and then burst into laughs. Their life is filled with tears and laughter as they grow up happily and toughly.
  “Sadness” is not supposed to be the first image of these unattended children. Even though they have to withstand the loneliness and desperation that are not normally experienced by their peers, they still have their share of happiness and innocence. They contribute to maybe a minor section of this era but their very existence still leaves marks on this thriving generation filled with variations.

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