剧情简介
2018年(🐽)5月和6月，Jean Gabriel P_Riot与(🐉)位(wèi )于Ivry Sur Seine的一所(🌗)高中的10名(míng )(🖲)电影班学生合(hé )作(🤷)，开(🛍)展了一项将电影与政(🥄)治(🛹)结(🚉)合(🏐)起来的项(🛺)目。学生们(🗑)在(😚)摄像机前和摄(shè )像(🚑)机后(hòu )(🥀)工(🕕)作(🤯)，重(chóng )新(🤷)布置罢(bà )工(gōng )、抵抗(🧚)和劳资纠纷的场景，这些(🔢)电影可以追溯到20世纪60年代末到70年代末，包(bāo )(👓)括让-卢克-戈(🈴)达尔和阿兰(lán )-坦纳(nà )的(🤲)电影。nos d_faites汇集(jí )了调查结果，并增加了(le )(💔)采访，在(zài )(👊)采访中，导演询问学(xué )生(🐛)他们(⛏)刚刚表演的场景，关于“阶级”、(🔈)“工会”和“政治(zhì )参与”等概念(niàn )，以及更广泛的社会背景(jǐng )(🍽)。这是一个简(🔎)单，但尖锐的设(🖍)置(🔫)，让观(guān )众一(📞)瞥年轻(🚽)一代(🍁)如(rú )何(hé )(👛)看(🕕)待(dài )政治和过去(qù )的政治电影(yǐng )。这部影(🤼)片还记录了导演试图(tú )激怒学生(shēng )的企(qǐ )图。在(zài )导演和(hé )学生(shēng )似乎(hū )处于平等(děng )地(dì )位的遭(zāo )遇中，基于从未见过(🛃)的导(🍾)演更(gèng )多类似于老师的提(tí )问，以及(jí )此时此刻对革命(mìng )的思考：(😼)起义的(de )表现反映(yìng )了(le )同样的情况。这会导致一个真实(shí )的发(fā )生(shēng )吗？
In May and June 2018, Jean-Gabriel Périot collaborated with ten students in a film class at a high school in Ivry-sur-Seine on a project that unites cinema with politics. The students worked both in front of and behind the camera, restaging scenes of strikes, resistance, and labour disputes from films dating from the late 1960s to the late 1970s, including ones by Jean-Luc Godard and Alain Tanner. Nos défaites assembles the results, and adds interviews in which the director queries the students about the scenes they’ve just acted in, about such concepts as “class,” “labour union,” and “political engagement,” about wider social contexts. It’(🌵)s a simple, yet trenchant setup, affording viewers a glimpse of how a younger generation sees politics and the political cinema of the past. The film also documents the director’(🍰)s attempts to stir up the students. The conversations vary between encounters in which director and students seem on an equal footing, based on more teacher-like questioning by the never-visible director, and contemplations of revolution in the here and now: the performance of an uprising follows reflection upon the same. Could this lead to one happening for real?
回(🕰)到(dào )1968年的电影时代，继续对(🦌)重放(fàng )从过去跳出来的电(diàn )影(yǐng )节(jiē )选的年轻(🏴)人进行(💙)今天的(de )采访，我(♊)们(men )(🈳)的失败描绘了(le )我们(😌)当(🤱)前与政(zhèng )治(zhì )的关系(🧑)。我(🔺)们的失败，还是(shì )我们有足(🎺)够(gòu )(📐)的力量来面对(👳)今天(⛏)的混乱(luàn )(🥗)？
By going back into the cinema of the 1968 era and going forward with present-day interviews of young people who replay excerpts of film s jumping out from the past, Our Defeats draw the portrait of our current relations with politics. Our Defeats, or do we keep enough forces to confront ourselves with the chaos of today?
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